Netflixhas had a wide assortment of B-movies rise to the top. And the latest addition tothe most popular movies on NetflixisUnder Paris, a shark film that has taken the streamer by storm. This isn’t the typical low-budget flick that finds a new life in streaming.Under Parisis a Netflix original, even though the story is anything but original.
Fans are flocking to this flick in part because it’s still pretty new to Netflix, and because it’s surprisingly entertaining for a giant shark attack movie.Under Parismay be not be Oscar-bait, but it’s winning the streaming race so far. And if you’re considering making this your next movie, we’re here to share four reasons why you should watchUnder Parison Netflix.
It’s Jaws in Paris
AfterJawswas released in 1975, almost every shark movie that came after it was some variation of that movie.Under Paristakes that more seriously than most shark flicks by actually emulating aspects of the plot fromJaws. As ludicrous as it may sound to have a giant shark swimming around under Paris, there’s a clear parallel between the mayor of Paris (Anne Marivin) and Mayor Larry Vaughn (Murray Hamilton) inJaws. Both politicians ignore warnings about the sharks in the name of tourism. Some things never change, even five decades later.
Even the leading heroine ofUnder Paris, Sophia (Bérénice Bejo), seems to step into the leading role that was filled by Roy Scheider’s Martin Brody inJaws. The key difference is that Sophia has more of a personal stake in the battle against the giant shark she calls Lilith.
Bérénice Bejo gives an absolutely committed performance
American audiences may remember Bejo for her roles inA Knight’s TaleandThe Artist, but she’s mostly known for her French films. And she is terrific inUnder Paris. It’s almost as if no one told Bejo that this was a B-movie, because she is never anything less than genuine when portraying Sophia’s grief over losing her husband and friends during their initial encounter with Lilith. She carries that with her all the way to the end of the movie, even when things start to get really silly.
There’s not a lot of gravitas in this movie, but what little it has comes from Bejo’s performance. She’s already a star in France. Maybe it’s time Hollywood considered giving her more to do over here as well.
It’s unintentionally hilarious
Under Parisis not played for laughs. This isn’tSharknadoor even a winking parody ofJaws. The film takes itself so seriously that it becomes comical even during shark attack scenes. Let’s just say that the CGI is very unconvincing in some of those sequences. Some of the funniest moments in the movie come when Lilith and the other sharks start treating Paris like it’s an all-you-can-eat French restaurant.
There are occasional scenes where the sharks seem genuinely threatening at a distance, but it’s almost always broken up by something that probably shouldn’t have been as funny as it turned out to be. This movie would be perfect for a great episode ofMystery Science Theater 3000.
It has a conclusion that you have to see to believe
As audacious asUnder Paris‘ premise is, the end of the movie is even more so. Without spoiling the dramatic conclusion, we can say that this film doesn’t share an ending withJaws. Instead, the scale of the action goes wildly out of control. It’s both funny and oddly admirable thatUnder Paristook such a big swing even if it doesn’t land with much impact.
The ending of the film also suggests that sequels could be in the works forUnder Paris. As unlikely as that sounds at the moment, ifUnder Pariskeeps hanging around at the top of Netflix’s movie list then you can bet that we’ll see more films like this one.
